Vivid Ink - Revision history

Ral at 10:52, 26 May 2016

2016-05-26T10:52:43Z

← Older revision		Revision as of 03:52, 26 May 2016
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	===Paintings===		===Paintings===


			[[Category:Exalted:RotGSW]]

Maloncanth: /* Traits */

2016-05-26T01:04:59Z

Traits

← Older revision		Revision as of 18:04, 25 May 2016
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	'''Limit Trigger''': Book burnings.<br>		'''Limit Trigger''': Book burnings.<br>
	'''Essence''': ●		'''Essence''': ●
	:Personal: 6/13 (3e+10)		:Personal: 3/13 (3e+10)
	:Peripheral: 33/33 (7e+26)		:Peripheral: 33/33 (7e+26)
	'''Health''': 0/1/1/2/2/4/i <br>		'''Health''': 0/1/1/2/2/4/i <br>

Maloncanth: /* Traits */

2016-05-26T00:51:43Z

Traits

← Older revision		Revision as of 17:51, 25 May 2016
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	'''Limit Trigger''': Book burnings.<br>		'''Limit Trigger''': Book burnings.<br>
	'''Essence''': ●		'''Essence''': ●
	:Personal: 13/13 (3e+10)		:Personal: 6/13 (3e+10)
	:Peripheral: 33/33 (7e+26)		:Peripheral: 33/33 (7e+26)
	'''Health''': 0/1/1/2/2/4/i <br>		'''Health''': 0/1/1/2/2/4/i <br>

Maloncanth: /* Selected Works */

2016-05-25T13:46:11Z

Selected Works

← Older revision		Revision as of 06:46, 25 May 2016
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	'''Vinty on Everything'''<br>		'''Vinty on Everything'''<br>
	~~While ''Nine Million Eyes'' is the premier scholarly work Vinty completed in the Solarium, ''~~Vinty ~~on Everything~~'~~' is her~~ best known work among ~~students themselves~~, who have noted its beauty, ~~bizarre qualities~~ and obsessive adherence to precision in turn. Its first four chapters, entitled Flame, River, Dragon, and (High) Realm are summarized descriptions of those languages's verse forms and calligraphic properties, written ''in'' those languages with painstakingly precise and eye-wateringly compact script, that are each exactly one quire (24 pages) in length down to the letter, rune or character. This is followed by four large collections of calligraphic examples without a single actual word or sentence, being entirely concerned with isolated, precise renderings of letters or ideogram radicals or combination. It is practically the only work that treats Riverspeak as a valid medium for calligraphy.		Vinty's best known work among the student body, who have noted its beauty, strangeness and obsessive adherence to precision in turn. Its first four chapters, entitled Flame, River, Dragon, and (High) Realm are summarized descriptions of those languages's verse forms and calligraphic properties, written ''in'' those languages with painstakingly precise and eye-wateringly compact and perfectly justified script, that are each exactly one quire (24 pages) in length down to the letter, rune or character in the final space. This is followed by four large collections of calligraphic examples without a single actual word or sentence, being entirely concerned with isolated, precise renderings of letters or ideogram radicals or combination. It is practically the only work that treats Riverspeak as a valid medium for calligraphy.

	'''Verdant Solarium Library Record (Vinty's Booklist)'''<br>		'''Verdant Solarium Library Record (Vinty's Booklist)'''<br>
Line 209:		Line 209:

	'''Nine Million Eyes'''<br>		'''Nine Million Eyes'''<br>
	The capstone work to Vivid Ink's academic years at the Verdant Solarium and the last known penned under her birth name ''Vinty''. It comes in two chapters totaling four quires (96 pages), standing in stark contrast to Book Three, ''Sun'' of ''Cosmos in the Vision of the Absolute Eye'', the subject of its critique. The first chapter, written in a ~~crisply~~ condensed voice, examines the inevitable assumptions necessary to the great book's view of a universal order through a series of quick thought experiments. The second is a long, illustrative list of statements that, if ever proven or disproven, would leave that worldview with a lot of explaining to do.		The capstone work to Vivid Ink's academic years at the Verdant Solarium and the last known penned under her birth name ''Vinty''. It comes in two chapters totaling four quires (96 pages), standing in stark contrast to Book Three, ''Sun'' of ''Cosmos in the Vision of the Absolute Eye'', the subject of its critique. The first chapter, written in a succinct and condensed voice, examines the inevitable assumptions necessary to the great book's view of a universal order through a series of quick thought experiments. The second is a long, illustrative list of statements that, if ever proven or disproven, would leave that worldview with a lot of explaining to do.

	'''Letters'''<br>		'''Letters'''<br>

Maloncanth: /* Writing */

2016-05-25T13:41:03Z

Writing

← Older revision		Revision as of 06:41, 25 May 2016
Line 194:		Line 194:
	===Writing===		===Writing===
	'''Furnitures'''<br>		'''Furnitures'''<br>
	One of Vinty's very earliest ~~works~~, ~~of which a single copy exists in the Solarium library. It~~ purports to document every single piece of furniture within the premises of the Verdant Solarium, recording material, make and all the carvings and vandalism left by generations of students. Its existence returned to light a year ago when a younger Solarium student, Brotep stumbled upon it while researching historic student culture of the Solarium. Since then, a number of other manuscripts have been discovered on similarly specific topics such as all the doorways, portals and archways in the Solarium as well as a barely started treatment on the distribution of marginalia on works found in the library across shelf height.		One of Vinty's very earliest, this bizarrely specific work purports to document every single piece of furniture within the premises of the Verdant Solarium, recording material, make and all the carvings and vandalism left by generations of students. Its existence returned to light a year ago when a younger Solarium student, Brotep stumbled upon it while researching historic student culture of the Solarium. Since then, a number of other manuscripts have been discovered on similarly specific topics such as all the doorways, portals and archways in the Solarium as well as a barely started treatment on the distribution of marginalia on works found in the library across shelf height.

	'''Vinty on Everything'''<br>		'''Vinty on Everything'''<br>

Maloncanth: /* Writing */

2016-05-25T08:16:08Z

Writing

← Older revision		Revision as of 01:16, 25 May 2016
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	==Selected Works==		==Selected Works==
	===Writing===		===Writing===
			'''Furnitures'''<br>
			One of Vinty's very earliest works, of which a single copy exists in the Solarium library. It purports to document every single piece of furniture within the premises of the Verdant Solarium, recording material, make and all the carvings and vandalism left by generations of students. Its existence returned to light a year ago when a younger Solarium student, Brotep stumbled upon it while researching historic student culture of the Solarium. Since then, a number of other manuscripts have been discovered on similarly specific topics such as all the doorways, portals and archways in the Solarium as well as a barely started treatment on the distribution of marginalia on works found in the library across shelf height.

	'''Vinty on Everything'''<br>		'''Vinty on Everything'''<br>
	While ''Nine Million Eyes'' is the premier scholarly work Vinty completed in the Solarium, ''Vinty on Everything'' is her best known work among students themselves, who have noted its beauty, bizarre qualities and obsessive adherence to precision in turn. Its first four chapters, entitled Flame, River, Dragon, and (High) Realm are summarized descriptions of those languages's verse forms and calligraphic properties, written ''in'' those languages with painstakingly precise and eye-wateringly compact script, that are each exactly one quire (24 pages) in length down to the letter, rune or character. This is followed by four large collections of calligraphic examples without a single actual word or sentence, being entirely concerned with isolated, precise renderings of letters or ideogram radicals or combination. It is practically the only work that treats Riverspeak as a valid medium for calligraphy.		While ''Nine Million Eyes'' is the premier scholarly work Vinty completed in the Solarium, ''Vinty on Everything'' is her best known work among students themselves, who have noted its beauty, bizarre qualities and obsessive adherence to precision in turn. Its first four chapters, entitled Flame, River, Dragon, and (High) Realm are summarized descriptions of those languages's verse forms and calligraphic properties, written ''in'' those languages with painstakingly precise and eye-wateringly compact script, that are each exactly one quire (24 pages) in length down to the letter, rune or character. This is followed by four large collections of calligraphic examples without a single actual word or sentence, being entirely concerned with isolated, precise renderings of letters or ideogram radicals or combination. It is practically the only work that treats Riverspeak as a valid medium for calligraphy.

	~~'''Furnitures'''<br>~~
	One of Vinty's very earliest works, of which a single copy exists in the Solarium library. It purports to document every single piece of furniture within the premises of the Verdant Solarium, recording material, make and all the carvings and vandalism left by generations of students. Its existence returned to light a year ago when a younger Solarium student, Brotep stumbled upon it while researching historic student culture of the Solarium. Since then, a number of other manuscripts have been discovered on similarly specific topics such as all the doorways, portals and archways in the Solarium as well as a barely started treatment on the distribution of marginalia on works found in the library across shelf height.

	'''Verdant Solarium Library Record (Vinty's Booklist)'''<br>		'''Verdant Solarium Library Record (Vinty's Booklist)'''<br>

Maloncanth: /* Selected Works */

2016-05-25T08:15:25Z

Selected Works

← Older revision		Revision as of 01:15, 25 May 2016
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	'''Dream Between the Covers (by Red Beats)'''<br>		'''Dream Between the Covers (by Red Beats)'''<br>
	A story of attraction between a former slave turned calligrapher and the handsome god or goddess of either a neglected library or neglected books (the later stories arguably go back and forth these points). The eponymous first tale runs to 620 lines of verse which are honestly quite good and is followed by a series of increasingly lurid romances until the manuscript stops abruptly. Present students believe that the work was censored, or else safely removed to avoid such, or that the "lost tales" remain to be found or that what exists is a copy of an ''illuminated'' original.		A story of attraction between a former slave turned calligrapher and the handsome god or goddess of either a neglected library or neglected books (the later stories arguably go back and forth these points). The eponymous first tale runs to 620 lines of verse which are honestly quite good and is followed by a series of increasingly lurid romances until the manuscript stops abruptly. Present students believe that the work was censored, or else safely removed to avoid such, or that the "lost tales" remain to be found or that what exists is a copy of an ''illuminated'' original.

			'''Southern Polities'''<br>
			A crisply written work listing and describing extant polities of the South along with brief histories of their interactions and a guide to references with more individual detail that can be found in the Verdant Solarium's collection (this last section often omitted when copied for libraries outside). Now frequently referenced.

	'''Nine Million Eyes'''<br>		'''Nine Million Eyes'''<br>
	The capstone work to Vivid Ink's academic years at the Verdant Solarium and the last known penned under her birth name ''Vinty''. It comes in two chapters totaling four quires (96 pages), standing in stark contrast to Book Three, ''Sun'' of ''Cosmos in the Vision of the Absolute Eye'', the subject of its critique. The first chapter, written in a crisply condensed voice, examines the inevitable assumptions necessary to the great book's view of a universal order through a series of quick thought experiments. The second is a long, illustrative list of statements that, if ever proven or disproven, would leave that worldview with a lot of explaining to do.		The capstone work to Vivid Ink's academic years at the Verdant Solarium and the last known penned under her birth name ''Vinty''. It comes in two chapters totaling four quires (96 pages), standing in stark contrast to Book Three, ''Sun'' of ''Cosmos in the Vision of the Absolute Eye'', the subject of its critique. The first chapter, written in a crisply condensed voice, examines the inevitable assumptions necessary to the great book's view of a universal order through a series of quick thought experiments. The second is a long, illustrative list of statements that, if ever proven or disproven, would leave that worldview with a lot of explaining to do.

			'''Letters'''<br>
			Composed of copies of open letters crediting numerous authors corresponding with ''Vinty'' and then ''Vivid Ink'' with commentary by Vivid Ink herself. It paints an immensely detailed and anecdote-filled picture of Southern politics after the disappearance of the Scarlet Empress and has quickly become one of the foremost works on the subject.

	===Paintings===		===Paintings===

Maloncanth: /* Writing */

2016-05-25T08:02:44Z

Writing

← Older revision		Revision as of 01:02, 25 May 2016
Line 194:		Line 194:
	===Writing===		===Writing===
	'''Vinty on Everything'''<br>		'''Vinty on Everything'''<br>
	While Nine Million Eyes is the premier scholarly work Vinty completed in the Solarium, Vinty on Everything is her best known work among students themselves, who have noted its beauty, bizarre qualities and obsessive adherence to precision in turn. Its first four chapters, entitled Flame, River, Dragon, and (High) Realm are summarized descriptions of those languages's verse forms and calligraphic properties, written ''in'' those languages with painstakingly precise and eye-wateringly compact script, that are each exactly one quire (24 pages) in length down to the letter, rune or character. This is followed by four ~~further chapters~~ of calligraphic examples without a single actual word or sentence, being entirely concerned with precise renderings of letters or ~~runes in series~~ or combination. It is practically the only work that treats Riverspeak as a valid medium for calligraphy.		While ''Nine Million Eyes'' is the premier scholarly work Vinty completed in the Solarium, ''Vinty on Everything'' is her best known work among students themselves, who have noted its beauty, bizarre qualities and obsessive adherence to precision in turn. Its first four chapters, entitled Flame, River, Dragon, and (High) Realm are summarized descriptions of those languages's verse forms and calligraphic properties, written ''in'' those languages with painstakingly precise and eye-wateringly compact script, that are each exactly one quire (24 pages) in length down to the letter, rune or character. This is followed by four large collections of calligraphic examples without a single actual word or sentence, being entirely concerned with isolated, precise renderings of letters or ideogram radicals or combination. It is practically the only work that treats Riverspeak as a valid medium for calligraphy.

	'''Furnitures'''<br>		'''Furnitures'''<br>
Line 203:		Line 203:

	'''Dream Between the Covers (by Red Beats)'''<br>		'''Dream Between the Covers (by Red Beats)'''<br>
	A story of attraction between a former slave turned calligrapher and the handsome god or goddess of either a neglected library or neglected books (the later stories arguably go back and forth these points). The eponymous first tale runs to 620 lines of verse which are honestly quite good and is followed by a series of increasingly lurid romances until the manuscript stops abruptly. ~~Current~~ students believe that the work was censored or safely removed to avoid such ~~and~~ that the tales remain to be found or that what exists is a copy of an ''illuminated'' original.		A story of attraction between a former slave turned calligrapher and the handsome god or goddess of either a neglected library or neglected books (the later stories arguably go back and forth these points). The eponymous first tale runs to 620 lines of verse which are honestly quite good and is followed by a series of increasingly lurid romances until the manuscript stops abruptly. Present students believe that the work was censored, or else safely removed to avoid such, or that the "lost tales" remain to be found or that what exists is a copy of an ''illuminated'' original.

	'''Nine Million Eyes'''<br>		'''Nine Million Eyes'''<br>

Maloncanth: /* Selected Works */

2016-05-25T07:57:01Z

Selected Works

← Older revision		Revision as of 00:57, 25 May 2016
Line 193:		Line 193:
	==Selected Works==		==Selected Works==
	===Writing===		===Writing===
	'''~~Nine Million Eyes~~'''<br>		'''Vinty on Everything'''<br>
	~~The capstone~~ work to ~~Vivid Ink~~'s ~~academic years at the Verdant Solarium~~ and ~~the last known penned under her birth name~~ ''~~Vinty~~''~~. It comes in two chapters totaling four quires~~ (96 pages)~~, standing~~ in ~~stark contrast~~ to ~~Book Three~~, ''~~Sun~~'' of ''~~Cosmos in the Vision~~ of ~~the Absolute Eye'~~', ~~the subject~~ of ~~its critique. The first chapter, written in~~ a ~~crisply condensed voice and rendered~~ in ~~eye-wateringly compact script, examines~~ the ~~inevitable assumptions necessary~~ to the ~~great book's view~~ of a ~~universal order through~~ a ~~series~~ of ~~quick thought experiments~~. ~~The second is~~ a ~~long, illustrative list~~ of ~~statements that~~, ~~if ever proven or disproven, would leave that worldview with~~ a ~~lot~~ of ~~explaining to do~~.		While Nine Million Eyes is the premier scholarly work Vinty completed in the Solarium, Vinty on Everything is her best known work among students themselves, who have noted its beauty, bizarre qualities and obsessive adherence to precision in turn. Its first four chapters, entitled Flame, River, Dragon, and (High) Realm are summarized descriptions of those languages's verse forms and calligraphic properties, written ''in'' those languages with painstakingly precise and eye-wateringly compact script, that are each exactly one quire (24 pages) in length down to the letter, rune or character. This is followed by four further chapters of calligraphic examples without a single actual word or sentence, being entirely concerned with precise renderings of letters or runes in series or combination. It is practically the only work that treats Riverspeak as a valid medium for calligraphy.

			'''Furnitures'''<br>
			One of Vinty's very earliest works, of which a single copy exists in the Solarium library. It purports to document every single piece of furniture within the premises of the Verdant Solarium, recording material, make and all the carvings and vandalism left by generations of students. Its existence returned to light a year ago when a younger Solarium student, Brotep stumbled upon it while researching historic student culture of the Solarium. Since then, a number of other manuscripts have been discovered on similarly specific topics such as all the doorways, portals and archways in the Solarium as well as a barely started treatment on the distribution of marginalia on works found in the library across shelf height.

	'''Verdant Solarium Library Record (Vinty's Booklist)'''<br>		'''Verdant Solarium Library Record (Vinty's Booklist)'''<br>
	Not the first work by that name or intent, Vinty's Booklist is perhaps the most complete and least useful ever, due to its novel method of catalogue, which would only be useful to someone intent on reading every single work in the academy’s sizeable collection or at least intent on reading through the entire list just to browse for something to read. Each page is rendered in the nauseatingly small font characteristic of Vinty’s early years, bordered by margins largely filled out by the author herself. As a result, the final work is at best one part catalogue and at least three parts caustic mass book review.		Not the first work by that name or intent, Vinty's Booklist is perhaps the most complete and least useful ever, due to its novel method of catalogue, which would only be useful to someone intent on reading every single work in the academy’s sizeable collection or at least intent on reading through the entire list of entries just to browse for something to read. Each page is rendered in the nauseatingly small font characteristic of Vinty’s early years, bordered by margins largely filled out by the author herself. As a result, the final work is at best one part catalogue and at least three parts caustic mass book review.

	~~'''Furnitures'''<br>~~
	One of Vinty's very earliest works, of which a single copy exists in the Solarium library. It is one of several since discovered manuscripts of bizarrely specific subject, purporting to document every piece of furniture within the premises of the Verdant Solarium, recording material, make and all the carvings and vandalism left by generations of students. Its existence returned to light two years ago when a younger Solarium student Merymose was researching handwriting and script forms.

	'''Dream Between the Covers (by Red Beats)'''<br>		'''Dream Between the Covers (by Red Beats)'''<br>
	A story of attraction between a former slave turned calligrapher and the handsome god or goddess of either a neglected library or neglected books (the later stories arguably go back and forth these points). The eponymous first tale runs to 620 lines of verse which are honestly quite good and is followed by a series of increasingly lurid romances until the manuscript stops abruptly. Current students believe that the work was censored or safely removed to avoid such and that the tales remain to be found or that what exists is a copy of an ''illuminated'' original.		A story of attraction between a former slave turned calligrapher and the handsome god or goddess of either a neglected library or neglected books (the later stories arguably go back and forth these points). The eponymous first tale runs to 620 lines of verse which are honestly quite good and is followed by a series of increasingly lurid romances until the manuscript stops abruptly. Current students believe that the work was censored or safely removed to avoid such and that the tales remain to be found or that what exists is a copy of an ''illuminated'' original.

			'''Nine Million Eyes'''<br>
			The capstone work to Vivid Ink's academic years at the Verdant Solarium and the last known penned under her birth name ''Vinty''. It comes in two chapters totaling four quires (96 pages), standing in stark contrast to Book Three, ''Sun'' of ''Cosmos in the Vision of the Absolute Eye'', the subject of its critique. The first chapter, written in a crisply condensed voice, examines the inevitable assumptions necessary to the great book's view of a universal order through a series of quick thought experiments. The second is a long, illustrative list of statements that, if ever proven or disproven, would leave that worldview with a lot of explaining to do.

	===Paintings===		===Paintings===

Maloncanth: /* Selected Works */

2016-05-25T07:16:11Z

Selected Works

← Older revision		Revision as of 00:16, 25 May 2016
Line 200:		Line 200:

	'''Furnitures'''<br>		'''Furnitures'''<br>
	One of Vinty's very earliest works, of which a single copy exists in the Solarium library. It is one of several since discovered manuscripts of bizarrely specific subject, purporting to document every piece of furniture within the premises of the Verdant Solarium, recording material, ~~known~~ make and all the carvings and vandalism left by generations of students. Its existence returned to light two years ago when a younger Solarium student Merymose was researching handwriting and script forms.		One of Vinty's very earliest works, of which a single copy exists in the Solarium library. It is one of several since discovered manuscripts of bizarrely specific subject, purporting to document every piece of furniture within the premises of the Verdant Solarium, recording material, make and all the carvings and vandalism left by generations of students. Its existence returned to light two years ago when a younger Solarium student Merymose was researching handwriting and script forms.

	'''Dream Between the ~~Red~~ Covers (by Red ~~Beat~~)'''<br>		'''Dream Between the Covers (by Red Beats)'''<br>
	A lurid ~~romance~~		A story of attraction between a former slave turned calligrapher and the handsome god or goddess of either a neglected library or neglected books (the later stories arguably go back and forth these points). The eponymous first tale runs to 620 lines of verse which are honestly quite good and is followed by a series of increasingly lurid romances until the manuscript stops abruptly. Current students believe that the work was censored or safely removed to avoid such and that the tales remain to be found or that what exists is a copy of an ''illuminated'' original.

			===Paintings===